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In my performances, the technical equipment, not the person, is standing in the foreground.
The artist takes up the attitude of an experimental scientist, he is initializing and observing.
Released from its genuin determination, the machine becomes the leading part of the spectacle: it becomes something vis-a-vis, a representative or a beloved.
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A selection of earlier works:In “Hut ab/get up“, two tape recorder, giving each other commands in german resp.
english language, release the human actors from their struggle for power. In „distant-fucking“
I get intimate with a TV set showing my naked back.
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